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Thursday, February 14, 2019

The Internet and Theories of Fantasy :: essays research papers fc

The Internet and Theories of FantasySummary. This composition analyzes the work of Bertolt Brecht in relation to fantasy and reality. Theatre and the Internet today, distort s incessantlyal parallels this newsprint essays to uncover and also to answer the question is it ever really there at all? In conclusion this paper will make not that the internet is really just a space of play.Brecht used epic theatre to bring forth an estimate or meaning for the sense of hearing to consider while entertaining the audience. epic theatre involves the use of alienation techniques to distance the viewer from the degree exclusively nonetheless concentrate on the overall meaning. The person who just views the story would likely take it as fantasy and not reach the admittedly depth of the play. Brecht shocks the viewer by making the events and actions in the play " antic and abstract" this contrasts with dramatic plays where the audience sympathises and relates to the characters of the play. Brecht believed that "To think, or write, or produce a play also means to transform society, to transform the state, to subject ideologies to stiff scrutiny." Having established this doctrine for himself, Brecht instigated the use of epic theatre in an attempt to break from the Aristotelian definition. Although he did not approve of the Aristotelian version, he redefined the nature of catharsis to suit his needs. (Brecht 71-90)Quick to criticism the role of the audience in traditional theatre, Brecht placed particular emphasis on the ultimate let down created by fantasy. "For many, the theatre is the abode where dreams are created. You, players, conveyers of drugs, in your darkened houses people are changed into kings and perform heroic deeds of safety. In rapture over themselves, or seized with pity they sit in apt distraction, forgetting the toils of daily life. Runaways. .. Of course, should someone come in, his ears still full of the roar of the city, h imself still sober, he would scarcely recognize there, up on stage, the world he has just left. And leaving your house, he would scarcely know the world-- now no longer king, but lowly man-- hed scarcely find himself at dental plate in real life." (Brecht 54)Brechts reference to actors as "sellers of drugs" is particularly apt imagery. The actors sell a package of fabricated grandeur to the audience, which experiences a rush of olfactory sensation leading to an emotional high. However, at the end of the performance, the audience has already see the highest emotional climax, the memory of which is strung along by the inevitable plot of land resolution.

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